If you still think of Stewart Copeland as the progressive drummer for the seminal rock band The Police, that’s so “four operas ago.” His second act as a film composer and performing-arts collaborator has been unfolding for over thirty years. He speaks to Soundboard producer/host Ben Finane — Editor in Chief at Steinway’s award-winning online music magazine listenmusicculture.com — about his experiences in and lessons gleaned from orchestral music.

‘The professional, hired-gun film-hack composer actually has more chops than an artist — by necessity.’

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