Piotr Anderszewski on sabbaticals, filmmaking, his hometown of Warsaw, curation, and his love for Mozart, Janácek
and Schumann
By Ben Finane
Fred Hersch wasn't ready to quit.
By Clifford S. Tinder
Don Airey on the Steinway Sound, finding space, piano vs. organ, the legacy of deep purple, and life beyond the band
By Ben Finane
The time is ripe for a fuller appreciation of Ferruccio Busoni.
By Rebecca Schmid
Delivering food for the soul at Music Kitchen
By Laura Smith
Jeffrey Siegel illuminates the solo piano repertoire via keyboard conversations.
By Ben Finane
Wherein Glenn Gould makes a convincing argument
By Lara St. John
A young German-Japanese pianist has America in her sights.
By Brian Wise
Adventurous as a pianist and composer, Conrad Tao is reshaping the image of the piano virtuoso for the twenty-first century.
By Thomas May
Igor Levit is one of the most striking pianists to emerge in a recently crowded field.
By Thomas May
Read MoreMitsuko Uchida discusses Schumann as weirdo, tempo as translation, the difficulty of Mozart and the transcendence of late Schubert.
By Ben Finane
Joachim Kühn on his foray into visual art — and his love of Ornette Coleman, J.S. Bach, and African rhythm.
By Ben Finane
Lalo Schifrin, a composer for all seasons, at eighty-five
By Ben Finane
A simple question leads to a simple answer.
By Joyce Yang
Catching up with the upwardly mobile Rafal Blechacz
By Ben Finane
Kirill Gerstein pursues classical with an improvisatory flair.
By Brian Wise
Baseball may have won out, but the piano abides.
By Fay Vincent
They were rock stars a hundred years before Rock 'n' Roll.
By Robert Loerzel
The accompanist as equal partner
By Brian Wise
Melody's Mostly Musical Day, a book/CD for children
Read More